Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 34
Stran 21
... Body , marring its grace and dimming its physical brightness . It is rather the lens which gives perfect definition to the passionate impulses of the Body , and the channel through which they may be purified and their range extended ...
... Body , marring its grace and dimming its physical brightness . It is rather the lens which gives perfect definition to the passionate impulses of the Body , and the channel through which they may be purified and their range extended ...
Stran 60
... body . . . . Of these the intellect is the highest . ' If Tolstoy could have acted upon this conception he might have discovered a meaning in life without denying it . But it remained an abstract conception because his body was too ...
... body . . . . Of these the intellect is the highest . ' If Tolstoy could have acted upon this conception he might have discovered a meaning in life without denying it . But it remained an abstract conception because his body was too ...
Stran 192
... body because it told him more often of death than of life , and he could only recover hope in Christianity by compelling it into a service of hatred against the body and every expression in public and private life of the pride and ...
... body because it told him more often of death than of life , and he could only recover hope in Christianity by compelling it into a service of hatred against the body and every expression in public and private life of the pride and ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
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accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence intense justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana