Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 25
Stran 8
... creative artist , he served humanity more notably as an indicter of a false civilization than as the prophet of a true one , as the champion of a moral conception of human life than as the discoverer of a really creative morality . And ...
... creative artist , he served humanity more notably as an indicter of a false civilization than as the prophet of a true one , as the champion of a moral conception of human life than as the discoverer of a really creative morality . And ...
Stran 112
... creative mind of the universe . Yet this life of the spirit does not , in Tolstoy's sense , ' depend on the death of the body , ' but on its perfect quickening . In this life , at least , the body co - operates with and sustains the ...
... creative mind of the universe . Yet this life of the spirit does not , in Tolstoy's sense , ' depend on the death of the body , ' but on its perfect quickening . In this life , at least , the body co - operates with and sustains the ...
Stran 260
... creative experience of motherhood . For the art of love , as of parenthood , is , like every other art , a product of instinct and of intelligence , and Tolstoy's view of marriage was prejudiced by the same inability to reconcile the ...
... creative experience of motherhood . For the art of love , as of parenthood , is , like every other art , a product of instinct and of intelligence , and Tolstoy's view of marriage was prejudiced by the same inability to reconcile the ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
4 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence intense justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana