Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 56
Stran 186
... feeling had become independent of thought . ' It had ; and as such , as Tolstoy was to discover , it lent him no lasting support . For feeling ' independent of thought , ' as faith uncor- rected by scepticism , has no centre , no ...
... feeling had become independent of thought . ' It had ; and as such , as Tolstoy was to discover , it lent him no lasting support . For feeling ' independent of thought , ' as faith uncor- rected by scepticism , has no centre , no ...
Stran 278
... feeling which art expresses . His moral criterion , in fact , is prejudiced because it is based on a confused æsthetic ; for the nature of true art and of true morality are indeed one , but the finality of a moral judgment depends on ...
... feeling which art expresses . His moral criterion , in fact , is prejudiced because it is based on a confused æsthetic ; for the nature of true art and of true morality are indeed one , but the finality of a moral judgment depends on ...
Stran 290
... feeling ? I reply in the negative , for music in itself cannot transmit those feelings ; and therefore I ask myself next , since this work does not belong to the highest kind of religious art , has it the other characteristic of the ...
... feeling ? I reply in the negative , for music in itself cannot transmit those feelings ; and therefore I ask myself next , since this work does not belong to the highest kind of religious art , has it the other characteristic of the ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence intense justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana