Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
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Zadetki 1–3 od 56
Stran 198
... merely confirmed the inevitability of death . They did not show how a man might be free , but only defined the conditions of his slavery . It was a know- ledge of the whole , as a means to wholeness in himself , which Tolstoy sought ...
... merely confirmed the inevitability of death . They did not show how a man might be free , but only defined the conditions of his slavery . It was a know- ledge of the whole , as a means to wholeness in himself , which Tolstoy sought ...
Stran 270
... merely pandered to self - indulgence . " The theory of art founded on beauty . ... is nothing but the setting up as good of that which has pleased and pleases us , that is , pleases a certain class of people .. the object con- sidered ...
... merely pandered to self - indulgence . " The theory of art founded on beauty . ... is nothing but the setting up as good of that which has pleased and pleases us , that is , pleases a certain class of people .. the object con- sidered ...
Stran 277
... merely sensual motives in modern art , his condemnation was justified . But so far as they were passions which artists had strug- gled to translate into the purer terms of imagination and humanity , they were necessary ingredients in a ...
... merely sensual motives in modern art , his condemnation was justified . But so far as they were passions which artists had strug- gled to translate into the purer terms of imagination and humanity , they were necessary ingredients in a ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
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accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence intense justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana