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Ruskin and the Ancient Masters in Modern | 17 |
Ruskin the Workman and the Savageness | 33 |
Ruskins Pivotal Work | 51 |
Avtorske pravice | |
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appear architecture argument artists attempt audience authority become beginning belief building Carlyle century Christian claimed close concerned course criticism death described drawing early economic edition effect England English essential example expression fact faith final flowers followed George Gothic Guild human ideas imagination important influence interest iron Italy John John Ruskin kind labour later lectures less letter Library literary live London look master means mind Modern Painters moral Morris nature notes observer once Oxford painting political economy present Press published readers reference relation rhetorical Ruskin Ruskinian sage satire School seems sense Sermons social society Stones suggest symbolism theory things thought true truth University University Press Unto this last usury Venice Victorian volume writing wrote