New Approaches to Ruskin: Thirteen EssaysRobert Hewison Routledge & Kegan Paul, 1981 - 229 strani |
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Zadetki 1–3 od 31
Stran 19
... painting ' ) in most of those qualities traditionally sought in a painting : perspective , colouring , chiaroscuro , effects of distance and foreground , diversity and choice of incidental subject - matter . But his most telling line of ...
... painting ' ) in most of those qualities traditionally sought in a painting : perspective , colouring , chiaroscuro , effects of distance and foreground , diversity and choice of incidental subject - matter . But his most telling line of ...
Stran 22
... Painting ( 1842 ) to realize how limited was his own grasp of the stylistic develop- ment of painting of the characteristics of individual artists . On his travels Eastlake conscientiously noted the mannerisms of the artists whose works ...
... Painting ( 1842 ) to realize how limited was his own grasp of the stylistic develop- ment of painting of the characteristics of individual artists . On his travels Eastlake conscientiously noted the mannerisms of the artists whose works ...
Stran 25
... painting as ' the highest type of " Catholic art " has been removed . Angelico's Crucifixion , previously described as his great masterpiece , now receives a lukewarm comment from Ruskin , and the reader is warned that Angelico's work ...
... painting as ' the highest type of " Catholic art " has been removed . Angelico's Crucifixion , previously described as his great masterpiece , now receives a lukewarm comment from Ruskin , and the reader is warned that Angelico's work ...
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Ruskin and the Ancient Masters in Modern | 17 |
Ruskin the Workman and the Savageness | 33 |
Ruskins Pivotal Work | 51 |
Avtorske pravice | |
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Acland admired Angelico Antonio's architecture argument artists audience Benediction Bible botany Brantwood Capo d'Istria Carlyle century Christian church Clavigera colour contemporary criticism curse death Dickens dragon drawing early economic edition England English example expression faith flowers Fra Angelico Gallery George Allen human ideas imagination influence iron J.A. Hobson John Ruskin labour landscape later letter Library listeners literary master means medieval Merchant Merchant of Venice Modern Painters Volume moral Morris's Nature of Gothic Oxford lectures painting political economy Praeterita prophetic Proserpina published readers relation rhetorical Ricardian romance Rose La Touche Ruskin Societies Ruskin writes Ruskinian satire School sculptor Sermons Shylock social spirit St George Stones of Venice style symbolism theory things thought Tintoretto truth University Press Unto this last usurer usury Venetian Victorian sage Viljoen vols London volume of Modern wealth William Morris words workmen wrote