A Handbook to Classical Reception in Eastern and Central EuropeZara Martirosova Torlone, Dana LaCourse Munteanu, Dorota Dutsch John Wiley & Sons, 6. feb. 2017 - 632 strani
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Vsebina
Pula and Split | |
Croatian NeoLatin Literature and Its Uses | |
The First Dalmatian Humanists and the Classics | |
The Swan Song of the Latin Homer | |
Classical Reception in Slovenia | |
Classical Reception in Romania | |
Loving Vergil Hating Rome | |
Noicas Becoming within Being and Menos | |
Reception of the Tropaeum Traiani | |
BosniaHerzegovina Serbia and Montenegro | |
Historiography of Bosnia Eighteenth Century | |
Early Modern Serbian Literature | |
Twentieth Century | |
Collecting Roman Inscriptions Beyond the Alps | |
Sta Maria sopra Siwa | |
Images from Slovenian Dramatic and Theatrical | |
Classical Reception in the Czech Republic | |
Classical Antiquity in Czech Literature between | |
The Classical Tradition and Nationalism | |
The Case of the Oresteia | |
Classical Reception in Poland | |
From Fictitious Letters to Celestial Revolutions | |
Two Essays on Classical Reception in Poland | |
References | |
Słowackis Oeuvre | |
Classical Reception in Hungary | |
Classical Reception in SixteenthCentury | |
Truditur dies | |
The Shepherdess and the Myrmillo | |
The Ancient Sources of Njegošs Poetics | |
An Introduction | |
Bulgarian Lands in Antiquity | |
In the Labyrinth of Allusions | |
the Foreign between Antiquity and Postmodernism | |
Influence on the Process of Translation and Creative | |
Classical Reception in Russia | |
Men in Cases | |
Homer in Russia | |
Russian Encounters with Classical Antiquities | |
Armenian Culture and Classical Antiquity | |
Medieval GreekArmenian Literary Relations | |
The Classical Trend of the Armenian | |
Classical Reception in Georgia | |
Greek Tragedy on the Georgian Stage in | |
Druge izdaje - Prikaži vse
A Handbook to Classical Reception in Eastern and Central Europe Zara M. Torlone,Dana LaCourse Munteanu,Dorota Dutsch Predogled ni na voljo - 2017 |
Pogosti izrazi in povedi
Aeneid ancient Greek Antigone architecture artistic authors Axer Bažant became Bornemisza Budapest Bulgarian Carniola Christian classical antiquity classical reception classical tradition contemporary Copernicus Copernicus’s Coşbuc Croatian culture Czech national Czech national revival Dalmatia drama Eastern edited Electra Empire epic Europe European example Ferenczy figure freedom German Greco‐Roman Greece Homer Horace Horace’s humanist Hungarian Hungary idea identity important influence inscriptions inspired intellectual interpretation Jovanović Kunić language Latin Lazius letter literary Ljubljana manuscript Marko Marulić Marulić medieval metopes monuments motifs Museum myth National Theater neoclassicism nineteenth century Noica Odyssey Oresteia original Orpheus Ottoman play poem poet poetic poetry Poland Polish Polish–Lithuanian Commonwealth political Prague Prešeren published Pula Renaissance republic role Roman Romanian Rome Russian Rzeczpospolita Serbian literature Slavic Slavs Slovenian Słowacki Smole’s Antigone Sophocles spirit Split stage szlachta Thracian today’s tragedy translation Tropaeum Tyfernus University Press Vergil Vienna Warsaw writing Zadar Zamanja