Renaissance Drama 34: Media, Technology, and PerformanceJeffrey Masten, Wendy Wall, W. B. Worthen Northwestern University Press, 31. jul. 2006 - 224 strani Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. This issue of Renaissance Drama, devoted to the topic of "Media, Technology, and Performance" is co-edited by W.B. Worthen, Wendy Wall, and Jeffrey Masten. The various articles displayed here address the interface between drama and its various modes of production over the past four centuries. This volume explores the relationship of drama to other forms of early modern spectacle (pageantry, masques), to the specificities of typography and the economics of the book industry, to the intersection of drama with film and DVD production, and to the way that stage technologies and theatrical economies of the 16th, 17th and 20th centuries define plays and playing. Rather than thinking of the early modern text as something simply reconstituted in its different incarnations, these essays make clear that different media force a rethinking of the terms that we use to envision, conceptualize, and even to see the work of drama. |
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STEPHEN ORGEL Reading Occasions | 31 |
ANNE HENRY Quid ais Omnium? Maurice Kyffins 1588 Andria | 47 |
RICHARD PREISS Natural Authorship | 69 |
RICHARD W SCHOCH Reforming Shakespeare | 105 |
Renaissance | 121 |
DENISE ALBANESE School for Scandal? NewMedia Hamlet | 185 |
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Aaron actor allowed copy Andria Animated aposiopesis audience authorship become Brecht Buc's Burt Cambridge University Press child cinema claim context Criterion Criterion Collection cultural cybernetic Dangerous Beauty discourse Dutton early modern Edzard's Eisenstein ellipsis English essay female figure film film's gender Hamlet Hayles Ibid Illustrated Screenplay John Jonson Julie Taymor King Kyffin Latin Lavinia license light literary London male masque Midsummer Night's Dream minor theaters Noble's Oberon Olivier’s patent performance Peter Peter Brook play text play's playbooks players playhouse playwrights political Posthuman potentially production punctuation Quid ais omnium reading Renaissance Revels Office Richard Richard II royal Saxton’s scene sexual Shakespeare in Love skeuomorphs space spectators stage surrogation suspension marks Taymor technologies Terence textual theatrical Thomas Titus Titus Andronicus Titus’s Troilus and Cressida Veronica Franco visual W. B. Worthen William William Shakespeare women words York Young Lucius