Aesthetic ValuesSpringer Netherlands, 31. avg. 1989 - 140 strani What is aesthetic value? A property in an object? An experience of a perceiving person? An ideal object existing in a mysterious sphere, inaccessible to normal cognition? Does it appear in one form only, or in many forms, perhaps infinitely many? Is it something constant, immutable, or rather something susceptible to change, depending on the individual, the cultural milieu, or the epoch? Is a rational defence of aesthetic value judgements possible, or is any discussion of this topic meaningless? The above questions arise out of the most complicated philosophic problems. Volumes have been written on each of them. The discussions which continue over the centuries, the plurality of views and suggested solutions, indicate that all issues are controversial and contestable. Each view can adduce some arguments supporting it; each has some weaknesses. Another source of difficulty is the vagueness and ambiguity of the language in which the problems are discussed. This makes it hard to understand the ideas of particular thinkers and sometimes makes it impossible to decide whether different formulations express the actual divergence of views or only the verbal preferences of their authors. Let us add that this imperfection does not simply spring from inaccuracy on the part of scholars, but also results from the complexity of the problems themselves. The matter is further complicated by important factors of a social character. |
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Stran 2
... reference to any relativizing factor , e.g. " Object O is aesthetically valuable " . The relativized form , on the other hand , does contain such a reference , e.g. " Object O is aesthetically valuable for the person P " . There are ...
... reference to any relativizing factor , e.g. " Object O is aesthetically valuable " . The relativized form , on the other hand , does contain such a reference , e.g. " Object O is aesthetically valuable for the person P " . There are ...
Stran 63
... reference to a relativizing factor with regard to which this object is considered to be aesthetically valuable . The absolutist does not consider such relativization to be necessary : he even regards it as improper . Consequently , the ...
... reference to a relativizing factor with regard to which this object is considered to be aesthetically valuable . The absolutist does not consider such relativization to be necessary : he even regards it as improper . Consequently , the ...
Stran 67
... reference to only one relativizing factor . These concepts and conditions may be modified in such a way as to contain reference to any finite number of factors R1 , R2 , ... Rn . Here are the forms of the expressions SRV , RV and CRV ...
... reference to only one relativizing factor . These concepts and conditions may be modified in such a way as to contain reference to any finite number of factors R1 , R2 , ... Rn . Here are the forms of the expressions SRV , RV and CRV ...
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Subjectivism | 1 |
Objectivism | 33 |
Relationism | 41 |
Avtorske pravice | |
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A.J. Ayer accepted actions aesthetic experience aesthetic judgements aesthetic value judgement aesthetically valuable Art Povera artist assumptions audience avant-garde art beauty character co-determine cognitive-emotional colour concept of aesthetic concept of value concrete value conditions of perception connected consider contemporary cultural Dadaism decollage defined definition depends discrepancy in judgements discussed elements empirical eurhythmics evoke example existence expression formulation function Gina Pane Happening identified individual interpretation intersubjective verifiability ISBN kind kitsch logical logical positivism materials means moderate pluralism objectivism op.cit ostensive definition panaestheticism perceiving perception and evaluation Performance person phenomena philosophical Plotinus Polish Scientific Publishers possible postulate present problem properties proportion radical reactions realizations recognized reference relationism relations relativist value judgement relativized value judgements relativizing factor result Roman Ingarden schema scientific semantic sense sensual set of features statement stimuli subjectivist substantiation symmetry Tatarkiewicz term theory variant of subjectivism various Vito Acconci Warsaw Wladyslaw Tatarkiewicz