Aesthetic ValuesSpringer Netherlands, 31. avg. 1989 - 140 strani What is aesthetic value? A property in an object? An experience of a perceiving person? An ideal object existing in a mysterious sphere, inaccessible to normal cognition? Does it appear in one form only, or in many forms, perhaps infinitely many? Is it something constant, immutable, or rather something susceptible to change, depending on the individual, the cultural milieu, or the epoch? Is a rational defence of aesthetic value judgements possible, or is any discussion of this topic meaningless? The above questions arise out of the most complicated philosophic problems. Volumes have been written on each of them. The discussions which continue over the centuries, the plurality of views and suggested solutions, indicate that all issues are controversial and contestable. Each view can adduce some arguments supporting it; each has some weaknesses. Another source of difficulty is the vagueness and ambiguity of the language in which the problems are discussed. This makes it hard to understand the ideas of particular thinkers and sometimes makes it impossible to decide whether different formulations express the actual divergence of views or only the verbal preferences of their authors. Let us add that this imperfection does not simply spring from inaccuracy on the part of scholars, but also results from the complexity of the problems themselves. The matter is further complicated by important factors of a social character. |
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Stran 103
... representation , but an engaged experiencing of the body put to trial , sometimes to a cruel one . For it is through the body that we experience our existential problems : of life , death , and the meaning of existence , of autonomy and ...
... representation , but an engaged experiencing of the body put to trial , sometimes to a cruel one . For it is through the body that we experience our existential problems : of life , death , and the meaning of existence , of autonomy and ...
Stran 111
... representation , etc. In avant - garde art , the striving to achieve this effect has advanced to become the main purpose of the action . Also new is the reflection on factors which can diminish or increase the strength and vividness of ...
... representation , etc. In avant - garde art , the striving to achieve this effect has advanced to become the main purpose of the action . Also new is the reflection on factors which can diminish or increase the strength and vividness of ...
Stran 120
... representation by the forms of direct , immediate communication . The postulate that demands the closing of the gap between art and life , accepted by the Happening and rejected by the Performance , requires some additional comments ...
... representation by the forms of direct , immediate communication . The postulate that demands the closing of the gap between art and life , accepted by the Happening and rejected by the Performance , requires some additional comments ...
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Subjectivism | 1 |
Objectivism | 33 |
Relationism | 41 |
Avtorske pravice | |
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A.J. Ayer accepted actions aesthetic experience aesthetic judgements aesthetic value judgement aesthetically valuable Art Povera artist assumptions audience avant-garde art beauty character co-determine cognitive-emotional colour concept of aesthetic concept of value concrete value conditions of perception connected consider contemporary cultural Dadaism decollage defined definition depends discrepancy in judgements discussed elements empirical eurhythmics evoke example existence expression formulation function Gina Pane Happening identified individual interpretation intersubjective verifiability ISBN kind kitsch logical logical positivism materials means moderate pluralism objectivism op.cit ostensive definition panaestheticism perceiving perception and evaluation Performance person phenomena philosophical Plotinus Polish Scientific Publishers possible postulate present problem properties proportion radical reactions realizations recognized reference relationism relations relativist value judgement relativized value judgements relativizing factor result Roman Ingarden schema scientific semantic sense sensual set of features statement stimuli subjectivist substantiation symmetry Tatarkiewicz term theory variant of subjectivism various Vito Acconci Warsaw Wladyslaw Tatarkiewicz