Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 78
Stran 209
... Shakespeare it is commonly a species . It is from this wide extension of design that so much instruction is derived . It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom . It was said of Euripides ...
... Shakespeare it is commonly a species . It is from this wide extension of design that so much instruction is derived . It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom . It was said of Euripides ...
Stran 391
... Shakespeare . Assuredly , that criticism of Shakespeare will alone be genial which is reverential . The English- man , who without reverence , a proud and affec- tionate reverence , can utter the name of William Shakespeare , stands ...
... Shakespeare . Assuredly , that criticism of Shakespeare will alone be genial which is reverential . The English- man , who without reverence , a proud and affec- tionate reverence , can utter the name of William Shakespeare , stands ...
Stran 449
... Shakespeare in an unequalled degree , a young writer having recourse to Shake- speare as his model runs great risk of being vanquished and absorbed by them , and , in con- sequence , of reproducing , according to the measure of his ...
... Shakespeare in an unequalled degree , a young writer having recourse to Shake- speare as his model runs great risk of being vanquished and absorbed by them , and , in con- sequence , of reproducing , according to the measure of his ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing