Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 22
Stran 519
... T. S. Eliot , " in The New Critics ( Norfolk , Conn . , 1941 ) ; Eliseo Vivas , " The Objective Correlative of T. S. Eliot , " American Bookman , I ( 1944 ) , 7-18 . litt , for example , the prime necessity was for RECENT DEVELOPMENTS T S ...
... T. S. Eliot , " in The New Critics ( Norfolk , Conn . , 1941 ) ; Eliseo Vivas , " The Objective Correlative of T. S. Eliot , " American Bookman , I ( 1944 ) , 7-18 . litt , for example , the prime necessity was for RECENT DEVELOPMENTS T S ...
Stran 534
... T. S. Eliot , copy- right , 1932 , by Harcourt , Brace and Company , Inc. and Faber & Faber Ltd. poetic drama which still persists , and at the same time encouraged the formation of a distinction which is , I believe , the ruin of ...
... T. S. Eliot , copy- right , 1932 , by Harcourt , Brace and Company , Inc. and Faber & Faber Ltd. poetic drama which still persists , and at the same time encouraged the formation of a distinction which is , I believe , the ruin of ...
Stran 538
... [ Eliot . ] quence independently by an examination of the Elizabethan philosophy , the Elizabethan dra- matic form ... T. S. Eliot , The Use of Poetry and the Use of Criticism ( Charles Eliot Norton Lectures , 1932- 33 ) , Cambridge , Mass ...
... [ Eliot . ] quence independently by an examination of the Elizabethan philosophy , the Elizabethan dra- matic form ... T. S. Eliot , The Use of Poetry and the Use of Criticism ( Charles Eliot Norton Lectures , 1932- 33 ) , Cambridge , Mass ...
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INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing