Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 90
Stran 118
... action , in comedy , consists in a unity of intrigue , or in obstacles to the designs of the main characters ; and , in tragedy , it consists in a unity of danger , whether the hero succumbs to it or escapes from it . I do not say that ...
... action , in comedy , consists in a unity of intrigue , or in obstacles to the designs of the main characters ; and , in tragedy , it consists in a unity of danger , whether the hero succumbs to it or escapes from it . I do not say that ...
Stran 446
... action ; and what actions are the most excellent ? Those , certainly , which most powerfully appeal to the great primary human affections : to those elementary feelings which subsist permanently in the race , and which are independent ...
... action ; and what actions are the most excellent ? Those , certainly , which most powerfully appeal to the great primary human affections : to those elementary feelings which subsist permanently in the race , and which are independent ...
Stran 448
... action he pleases , and to suffer that action to go as it will , provided he gratifies them with occasional bursts of fine writing , and with a shower of isolated thoughts and images . That is , they per- mit him to leave their poetical ...
... action he pleases , and to suffer that action to go as it will , provided he gratifies them with occasional bursts of fine writing , and with a shower of isolated thoughts and images . That is , they per- mit him to leave their poetical ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing