Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 85
Stran 173
... ancients , and the use of rules ( 88-200 ) . 1. Value of ancient poetry and criticism as models ( 88-103 ) . 2. Censure of slavish imitation and codified rules ( 104-117 ) . 3. Need to study the general aims and qualities of the ancients ...
... ancients , and the use of rules ( 88-200 ) . 1. Value of ancient poetry and criticism as models ( 88-103 ) . 2. Censure of slavish imitation and codified rules ( 104-117 ) . 3. Need to study the general aims and qualities of the ancients ...
Stran 242
... ancient authors ; no , I am la- menting their great inferiority . But I think it is no necessary inferiority ; that it is not from di- vine destination , but from some cause far be- neath the moon : I think that human souls , through ...
... ancient authors ; no , I am la- menting their great inferiority . But I think it is no necessary inferiority ; that it is not from di- vine destination , but from some cause far be- neath the moon : I think that human souls , through ...
Stran 412
... ancient and the modern poets , the simple and the sentimental poets , or only to compare them by referring them to a higher idea ( since there is really only one ) which embraces both . For , sooth to say , if we begin by forming a ...
... ancient and the modern poets , the simple and the sentimental poets , or only to compare them by referring them to a higher idea ( since there is really only one ) which embraces both . For , sooth to say , if we begin by forming a ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing