Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 85
Stran 45
... appear ? you have still to determine this . What do you mean ? I mean , that you may look at a bed from dif- ferent points of view , obliquely or directly or from any other point of view , and the bed will appear different , but there ...
... appear ? you have still to determine this . What do you mean ? I mean , that you may look at a bed from dif- ferent points of view , obliquely or directly or from any other point of view , and the bed will appear different , but there ...
Stran 262
... appear in compari- son of the other , where no superiority is sup- posed from the choice of the subject . The scene shall be the same , the difference only will be in the manner in which it is presented to the eye . With what additional ...
... appear in compari- son of the other , where no superiority is sup- posed from the choice of the subject . The scene shall be the same , the difference only will be in the manner in which it is presented to the eye . With what additional ...
Stran 323
... appears to me therefore [ continues Sir Joshua ] that our first thoughts , that is , the effect which any thing produces on our minds , on its first appear- ance , is never to be forgotten ; and it demands for that reason , because it ...
... appears to me therefore [ continues Sir Joshua ] that our first thoughts , that is , the effect which any thing produces on our minds , on its first appear- ance , is never to be forgotten ; and it demands for that reason , because it ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing