Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 81
Stran 246
... beauty was the supreme law of the imitative arts . This being established , it follows necessarily that whatever else these arts may aim at must give way completely if incompatible with beauty , and , if compatible , must at least be ...
... beauty was the supreme law of the imitative arts . This being established , it follows necessarily that whatever else these arts may aim at must give way completely if incompatible with beauty , and , if compatible , must at least be ...
Stran 375
... beauty . We will suppose it too at that time of his life , when his religious opinions , feelings , and prejudices most nearly co- incided with those of the rigid Anti - prelatists . P. Beauty ; I am sure , it is not the beauty of holi ...
... beauty . We will suppose it too at that time of his life , when his religious opinions , feelings , and prejudices most nearly co- incided with those of the rigid Anti - prelatists . P. Beauty ; I am sure , it is not the beauty of holi ...
Stran 408
... beauty can be , and how a humanity is possible . We know that man is neither exclusively mat- ter nor exclusively spirit . Accordingly , beauty , as the consummation of humanity , can neither be exclusively mere life , as has been ...
... beauty can be , and how a humanity is possible . We know that man is neither exclusively mat- ter nor exclusively spirit . Accordingly , beauty , as the consummation of humanity , can neither be exclusively mere life , as has been ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing