Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 87
Stran 325
... common sense and experience , is , for the most part , a building with- out a foundation . The criticism exercised by reason then on common sense may be as severe as it pleases , but it must be as patient as it is severe . Hasty ...
... common sense and experience , is , for the most part , a building with- out a foundation . The criticism exercised by reason then on common sense may be as severe as it pleases , but it must be as patient as it is severe . Hasty ...
Stran 385
... common life . The extreme difficulty , and often the impossibility , of finding words for the simplest moral and ... common properties of the class to which he belongs ; and thirdly , words and phrases of universal use . The language of ...
... common life . The extreme difficulty , and often the impossibility , of finding words for the simplest moral and ... common properties of the class to which he belongs ; and thirdly , words and phrases of universal use . The language of ...
Stran 589
... common name , " he wrote , " for a mime of Sophron or Xenarchus and a Socratic conversation ; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse ...
... common name , " he wrote , " for a mime of Sophron or Xenarchus and a Socratic conversation ; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing