Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 84
Stran x
... concern with readability generally . Where possible , critical works that require no specialized knowledge have been ... concerned with the theory of art has unhesitatingly been included . Especially for Coleridge a deliberate effort has ...
... concern with readability generally . Where possible , critical works that require no specialized knowledge have been ... concerned with the theory of art has unhesitatingly been included . Especially for Coleridge a deliberate effort has ...
Stran 277
... concerned with critical evaluation as an end . It has thus served as a salutary corrective to a highly de- veloped biographical and historical study of literature that has at times almost lost sight of the concrete work of art . As such ...
... concerned with critical evaluation as an end . It has thus served as a salutary corrective to a highly de- veloped biographical and historical study of literature that has at times almost lost sight of the concrete work of art . As such ...
Stran 543
... concerned , if they are no longer believed by people whose minds Mr. Richards respects : we have no ground for ... concern himself with Maritain's 7 Somewhat in the spirit of " religion without revela- tion , " of which a greater ...
... concerned , if they are no longer believed by people whose minds Mr. Richards respects : we have no ground for ... concern himself with Maritain's 7 Somewhat in the spirit of " religion without revela- tion , " of which a greater ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing