Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 85
Stran 7
... delight in good disposi- tions and noble actions . " One should dwell on the active implication of the verbs here " re- joicing and loving and hating aright , " and the " power of forming right judgments , and of tak- ing delight " in ...
... delight in good disposi- tions and noble actions . " One should dwell on the active implication of the verbs here " re- joicing and loving and hating aright , " and the " power of forming right judgments , and of tak- ing delight " in ...
Stran 81
... delight " —a phrase common from the Renaissance through the eighteenth century , adapted from Horace's aut prodesse aut delectare ( poetry should " either instruct or delight " ) . And it fulfills this joint function by emotionally ...
... delight " —a phrase common from the Renaissance through the eighteenth century , adapted from Horace's aut prodesse aut delectare ( poetry should " either instruct or delight " ) . And it fulfills this joint function by emotionally ...
Stran 103
... delight , as the tragedy should be still maintained in a well - raised admiration . But our comedians think there is no delight without laughter ; which is very wrong , for though laugh- ter may come with delight , yet cometh it not of ...
... delight , as the tragedy should be still maintained in a well - raised admiration . But our comedians think there is no delight without laughter ; which is very wrong , for though laugh- ter may come with delight , yet cometh it not of ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing