Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 62
Stran 250
... distinction of genres at a time when this distinction was beginning to disintegrate in many ways . What Goldsmith reapplied is the traditional distinction between tragedy and comedy . Each , in classical theory , is con- cerned with ...
... distinction of genres at a time when this distinction was beginning to disintegrate in many ways . What Goldsmith reapplied is the traditional distinction between tragedy and comedy . Each , in classical theory , is con- cerned with ...
Stran 339
... distinction which overturns what has just been said on the strict affinity of metrical language with that of prose , and paves the way for other artificial distinctions which the mind voluntarily admits , I answer that the language of ...
... distinction which overturns what has just been said on the strict affinity of metrical language with that of prose , and paves the way for other artificial distinctions which the mind voluntarily admits , I answer that the language of ...
Stran 362
... distinction between " reason " and " understanding . " The understand- ing is directed toward the concrete world - to the world we know through our senses . It classifies our sense impressions , and our associations and feeling drawn ...
... distinction between " reason " and " understanding . " The understand- ing is directed toward the concrete world - to the world we know through our senses . It classifies our sense impressions , and our associations and feeling drawn ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing