Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 86
Stran 247
... expression are taken as its first law . As nature always sacrifices beauty to higher ends , so should the artist subordinate it to his general purpose , and not pursue it further than truth and expression allow . Enough that truth and ...
... expression are taken as its first law . As nature always sacrifices beauty to higher ends , so should the artist subordinate it to his general purpose , and not pursue it further than truth and expression allow . Enough that truth and ...
Stran 447
The Major Texts Walter Jackson Bate. 6 in expression , or were inattentive to it ; on the contrary , they are the highest models of expres- sion , the unapproached masters of the grand style : but their expression is so excellent be ...
The Major Texts Walter Jackson Bate. 6 in expression , or were inattentive to it ; on the contrary , they are the highest models of expres- sion , the unapproached masters of the grand style : but their expression is so excellent be ...
Stran 449
... expression to that which it is designed to express . I have said that the imitators of Shakespeare , fixing their attention on his wonderful gift of expression , have directed their imitation to this , neglecting his other excellences ...
... expression to that which it is designed to express . I have said that the imitators of Shakespeare , fixing their attention on his wonderful gift of expression , have directed their imitation to this , neglecting his other excellences ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing