Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 70
Stran 286
... feeling is localized largely in self . But in those who possess it , the imagination can broaden and direct feeling , lifting it beyond self , and riveting it to other objects . Hence he took issue with Mme . de Staël's remark that ...
... feeling is localized largely in self . But in those who possess it , the imagination can broaden and direct feeling , lifting it beyond self , and riveting it to other objects . Hence he took issue with Mme . de Staël's remark that ...
Stran 363
... feeling accordingly . The imagination converts its awareness , in other words , into " beauty " - " the mediator between Truth and Feeling , the Head and the Heart , " into a " calling on the soul . " This , in effect , is the ideal aim ...
... feeling accordingly . The imagination converts its awareness , in other words , into " beauty " - " the mediator between Truth and Feeling , the Head and the Heart , " into a " calling on the soul . " This , in effect , is the ideal aim ...
Stran 517
... feeling transmitted may predominate ; in an- other , clearness of expression ; in a third , sin- cerity ; while a fourth may have sincerity and individuality , but be deficient in clearness ; a fifth , individuality and clearness , but ...
... feeling transmitted may predominate ; in an- other , clearness of expression ; in a third , sin- cerity ; while a fourth may have sincerity and individuality , but be deficient in clearness ; a fifth , individuality and clearness , but ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing