Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 81
Stran 294
... genius for them would attempt to prac- tise them , so none but those who had a natural taste for them would pretend to judge of or criticise them . This must be an incalculable ad- vantage to the man of true genius , for it is no other ...
... genius for them would attempt to prac- tise them , so none but those who had a natural taste for them would pretend to judge of or criticise them . This must be an incalculable ad- vantage to the man of true genius , for it is no other ...
Stran 329
... genius , raised above the definition of genius . " Born universal heir to all humanity , " he was " as one , in suffering all who suffered nothing ; " with a perfect sympathy with all things , yet alike indifferent to all : who did not ...
... genius , raised above the definition of genius . " Born universal heir to all humanity , " he was " as one , in suffering all who suffered nothing ; " with a perfect sympathy with all things , yet alike indifferent to all : who did not ...
Stran 396
... genius ; and for that reason he must partake of both . Hence there is in genius itself an uncon- scious activity ; nay , that is the genius in the man of genius . And this is the true exposition of the rule that the artist must first ...
... genius ; and for that reason he must partake of both . Hence there is in genius itself an uncon- scious activity ; nay , that is the genius in the man of genius . And this is the true exposition of the rule that the artist must first ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing