Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 83
Stran 468
... human race has mani- fested its impulse to perfect itself , -religion , that voice of the deepest human experience , does not only enjoin and sanction the aim which is the great aim of culture , the aim of setting our- selves to ...
... human race has mani- fested its impulse to perfect itself , -religion , that voice of the deepest human experience , does not only enjoin and sanction the aim which is the great aim of culture , the aim of setting our- selves to ...
Stran 471
... human nature than poetry , because it has worked on a broader scale for perfection , and with greater masses of men . But the idea of beauty and of a human nature perfect on all its sides , which is the dominant idea of poetry , is a ...
... human nature than poetry , because it has worked on a broader scale for perfection , and with greater masses of men . But the idea of beauty and of a human nature perfect on all its sides , which is the dominant idea of poetry , is a ...
Stran 551
... human proclivity - the wish to have one's cake and eat it too . Thus , while remaining on the naturalistic level , he wishes to have blessings that accrue only to those who rise to the human- istic or religious levels . He wishes to ...
... human proclivity - the wish to have one's cake and eat it too . Thus , while remaining on the naturalistic level , he wishes to have blessings that accrue only to those who rise to the human- istic or religious levels . He wishes to ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing