Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 84
Stran 186
... Ideas arising from the Original Objects , with the Ideas we receive from the Statue , Picture , Description , or Sound that represents them . It is impossible for us to give the necessary Reason , why this Operation of the Mind is ...
... Ideas arising from the Original Objects , with the Ideas we receive from the Statue , Picture , Description , or Sound that represents them . It is impossible for us to give the necessary Reason , why this Operation of the Mind is ...
Stran 477
... ideas to life is the most essential part of poetic greatness . I said that a great poet receives his distinctive character of superiority from his application , under the conditions immutably fixed by the laws of poetic beauty and ...
... ideas to life is the most essential part of poetic greatness . I said that a great poet receives his distinctive character of superiority from his application , under the conditions immutably fixed by the laws of poetic beauty and ...
Stran 580
... ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quan- tity of evidence , its immediacy , the extent and complexity of the supporting systems of ideas are obvious forms of legitimate loading ...
... ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quan- tity of evidence , its immediacy , the extent and complexity of the supporting systems of ideas are obvious forms of legitimate loading ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing