Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 72
Stran 124
... importance , the greatest critical exponent of neoclassicism . For , to begin with , Dryden did not deal with the ultimate problems of literature . He tended , instead , to ... important advocate for this movement . The new 124 DRYDEN.
... importance , the greatest critical exponent of neoclassicism . For , to begin with , Dryden did not deal with the ultimate problems of literature . He tended , instead , to ... important advocate for this movement . The new 124 DRYDEN.
Stran 337
... importance of the subject . The subject is indeed important ! For the human mind is ca- pable of being excited without the application of gross and violent stimulants ; and he must have a very faint perception of its beauty and dignity ...
... importance of the subject . The subject is indeed important ! For the human mind is ca- pable of being excited without the application of gross and violent stimulants ; and he must have a very faint perception of its beauty and dignity ...
Stran 521
... important qualification for the critic , as Eliot states it in the essay " The Function of Criticism , " is " a very highly developed sense of fact . " Judgment and taste , in other words - the ability to distinguish what is good from ...
... important qualification for the critic , as Eliot states it in the essay " The Function of Criticism , " is " a very highly developed sense of fact . " Judgment and taste , in other words - the ability to distinguish what is good from ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing