Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 85
Stran 156
... kind of verse which is nearest prose , it makes little for you ; blank verse being properly but meas- ured prose . Now measure alone , in any modern language , does not constitute verse ; those of the Ancients in Greek and Latin ...
... kind of verse which is nearest prose , it makes little for you ; blank verse being properly but meas- ured prose . Now measure alone , in any modern language , does not constitute verse ; those of the Ancients in Greek and Latin ...
Stran 188
... kind of entertainment , not to be found , nor which was even intended , in the following pages ; it may not be improper to premise a few words concerning this kind of writing , which I do not remember to have seen hitherto attempted in ...
... kind of entertainment , not to be found , nor which was even intended , in the following pages ; it may not be improper to premise a few words concerning this kind of writing , which I do not remember to have seen hitherto attempted in ...
Stran 572
... kind of emotion produced that decides , but this one fact : Is there any real zest in it ? Did the poet have an actually realised visual object before him in which he delighted ? It doesn't matter if it were a lady's shoe or the starry ...
... kind of emotion produced that decides , but this one fact : Is there any real zest in it ? Did the poet have an actually realised visual object before him in which he delighted ? It doesn't matter if it were a lady's shoe or the starry ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing