Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 80
Stran 338
... language of men ; and as- suredly such personifications do not make any natural or regular part of that language . They are , indeed , a figure of speech occasionally prompted by passion , and I have made use of them as such ; but have ...
... language of men ; and as- suredly such personifications do not make any natural or regular part of that language . They are , indeed , a figure of speech occasionally prompted by passion , and I have made use of them as such ; but have ...
Stran 339
... language of Prose may yet be well adapted to Poetry ; and it was previously as- serted , that a large portion of the language of every good poem can in no respect differ from that of good Prose . We will go further . It may be safely ...
... language of Prose may yet be well adapted to Poetry ; and it was previously as- serted , that a large portion of the language of every good poem can in no respect differ from that of good Prose . We will go further . It may be safely ...
Stran 385
... language " ( meaning , as before , the language of rustic life purified from provincial- ism ) " arising out of repeated experience and regular feelings , is a more permanent , and a far more philosophical language , than that which is ...
... language " ( meaning , as before , the language of rustic life purified from provincial- ism ) " arising out of repeated experience and regular feelings , is a more permanent , and a far more philosophical language , than that which is ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing