Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 73
Stran 285
... living character of its object into telling expression . This emphasis on strong emotion in art is , of course , characteristically romantic . But the stress is on emotion turned outward toward its object , to the external world , not ...
... living character of its object into telling expression . This emphasis on strong emotion in art is , of course , characteristically romantic . But the stress is on emotion turned outward toward its object , to the external world , not ...
Stran 396
... living organic it is not mere regularity of form , which would produce a sense of formality ; neither is it sub- servient to any thing beside itself . It may be present in a disagreeable object , in which the proportion of the parts ...
... living organic it is not mere regularity of form , which would produce a sense of formality ; neither is it sub- servient to any thing beside itself . It may be present in a disagreeable object , in which the proportion of the parts ...
Stran 407
... living things nor merely enclosed in this field . A marble block , though it is and remains lifeless , can nevertheless become a living form by the architect and sculptor ; a man , though he lives and has a form , is far from being a ...
... living things nor merely enclosed in this field . A marble block , though it is and remains lifeless , can nevertheless become a living form by the architect and sculptor ; a man , though he lives and has a form , is far from being a ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing