Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 81
Stran 11
... means , and to evaluate means as they lead to fundamental ends . Indeed , nothing is more genuinely classical than the continual desire to make such a distinction , and the ability to do so with experimental open- ness , imaginative ...
... means , and to evaluate means as they lead to fundamental ends . Indeed , nothing is more genuinely classical than the continual desire to make such a distinction , and the ability to do so with experimental open- ness , imaginative ...
Stran 72
... means of the variations of sounds , by their pulsation against one another , and by their mingling in concert . 3. And yet these are mere semblances and spurious copies of persuasion , not ( as I have said ) genuine ac- tivities of ...
... means of the variations of sounds , by their pulsation against one another , and by their mingling in concert . 3. And yet these are mere semblances and spurious copies of persuasion , not ( as I have said ) genuine ac- tivities of ...
Stran 261
... means is raised and elevated above all others ; and by the same means the compass of art itself is enlarged . We often see grave and great subjects at- tempted by artists of another school ; who , though excellent in the lower class of ...
... means is raised and elevated above all others ; and by the same means the compass of art itself is enlarged . We often see grave and great subjects at- tempted by artists of another school ; who , though excellent in the lower class of ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing