Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 73
Stran 257
... mind of the artist ; and he works from them with as much certainty as if they were embodied , as I may say , upon paper . It is true , these refined principles cannot be always made palpable , like the more gross rules of art ; yet it ...
... mind of the artist ; and he works from them with as much certainty as if they were embodied , as I may say , upon paper . It is true , these refined principles cannot be always made palpable , like the more gross rules of art ; yet it ...
Stran 362
... mind conceives both the ultimate universal forms and at the same time the concrete , particular world , Coleridge postulated two different aspects of mind directed to each : reason , on the one hand , and the senses and understanding on ...
... mind conceives both the ultimate universal forms and at the same time the concrete , particular world , Coleridge postulated two different aspects of mind directed to each : reason , on the one hand , and the senses and understanding on ...
Stran 458
... mind the second ; so much play of mind as is compatible with the prosecution of those practical ends is all that is wanted . An organ like the Revue des Deux Mondes , having for its main function to under- stand and utter the best that ...
... mind the second ; so much play of mind as is compatible with the prosecution of those practical ends is all that is wanted . An organ like the Revue des Deux Mondes , having for its main function to under- stand and utter the best that ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing