Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 78
Stran 81
... moral way is characteristic of much Renaissance thinking , and of the extent to which the moral ideas of the Christian tradition were coalescing with classical precepts . Indeed , it is es- pecially on this ground - its freedom to ...
... moral way is characteristic of much Renaissance thinking , and of the extent to which the moral ideas of the Christian tradition were coalescing with classical precepts . Indeed , it is es- pecially on this ground - its freedom to ...
Stran 442
... moral evaluation . On the other hand , poetry is rooted in the concrete : it is not a branch of theoreti- cal ethics . Poetry joins together both the idea and the concrete . By serving simultaneously as the " interpretess of the natural ...
... moral evaluation . On the other hand , poetry is rooted in the concrete : it is not a branch of theoreti- cal ethics . Poetry joins together both the idea and the concrete . By serving simultaneously as the " interpretess of the natural ...
Stran 477
... moral ideas is to introduce a strong and injurious limitation , I answer that it is to do nothing of the kind , because moral ideas are really so main a part of human life . The ques- tion , how to live , is itself a moral idea ; and it ...
... moral ideas is to introduce a strong and injurious limitation , I answer that it is to do nothing of the kind , because moral ideas are really so main a part of human life . The ques- tion , how to live , is itself a moral idea ; and it ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing