Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 80
Stran 298
... object and the repre- sentation , it opens a new field of inquiry , and leads the attention to a variety of details and distinctions not perceived before . This latter source of the pleasure derived from imitation has never been ...
... object and the repre- sentation , it opens a new field of inquiry , and leads the attention to a variety of details and distinctions not perceived before . This latter source of the pleasure derived from imitation has never been ...
Stran 372
... object of gen- eral principles : and vice versâ , that whatever can be brought to the test of general principles presupposes a distinct origin from these pleas- ures and tastes , which , for the wisest purposes , are made to depend on ...
... object of gen- eral principles : and vice versâ , that whatever can be brought to the test of general principles presupposes a distinct origin from these pleas- ures and tastes , which , for the wisest purposes , are made to depend on ...
Stran 378
... object of a work not metrically com- posed ; and that object may have been in a high degree attained , as in novels and romances . Would then the mere superaddition of metre , with or without rhyme , entitle these to the name of poems ...
... object of a work not metrically com- posed ; and that object may have been in a high degree attained , as in novels and romances . Would then the mere superaddition of metre , with or without rhyme , entitle these to the name of poems ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing