Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 82
Stran 185
... once actually in our View , it must not be understood that we had once seen the very Place , Action , or Person which are carved or described . It is sufficient , that we have seen Places , Persons , or Actions in general , which bear a ...
... once actually in our View , it must not be understood that we had once seen the very Place , Action , or Person which are carved or described . It is sufficient , that we have seen Places , Persons , or Actions in general , which bear a ...
Stran 208
... once discovered to be perfect ; but the poems of Homer we yet know not to transcend the com- mon limits of human intelligence , but by re- marking , that nation after nation , and century after century , has been able to do little more ...
... once discovered to be perfect ; but the poems of Homer we yet know not to transcend the com- mon limits of human intelligence , but by re- marking , that nation after nation , and century after century , has been able to do little more ...
Stran 387
... once determined . To the faculty by which I had characterized Milton , we should confine the term imagination ; while the other would be contradistinguished as fancy . Now were it once fully ascertained , that this di- vision is no less ...
... once determined . To the faculty by which I had characterized Milton , we should confine the term imagination ; while the other would be contradistinguished as fancy . Now were it once fully ascertained , that this di- vision is no less ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing