Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 79
Stran 116
... perfect Action ; whose parts are so joyned , and knitt together , as nothing in the structure can be chang'd ; or ... perfect , and intire Ac- tion ; as one perfect , and intire place is requir'd to a building . By perfect , wee ...
... perfect Action ; whose parts are so joyned , and knitt together , as nothing in the structure can be chang'd ; or ... perfect , and intire Ac- tion ; as one perfect , and intire place is requir'd to a building . By perfect , wee ...
Stran 375
... perfect specimens of architecture in Paris , said that he saw nothing so beautiful as the cook's shops , we attribute this without hesitation to savagery of intellect , and infer with certainty that the sense of the beautiful was either ...
... perfect specimens of architecture in Paris , said that he saw nothing so beautiful as the cook's shops , we attribute this without hesitation to savagery of intellect , and infer with certainty that the sense of the beautiful was either ...
Stran 471
... perfect on all its sides , which is the dominant idea of poetry , is a true and invaluable idea , though it has not yet had the success that the idea of conquering the obvious faults of our animality , and of a human nature perfect on ...
... perfect on all its sides , which is the dominant idea of poetry , is a true and invaluable idea , though it has not yet had the success that the idea of conquering the obvious faults of our animality , and of a human nature perfect on ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing