Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 78
Stran 341
... pleasure be considered as a degradation of the Poet's art . It is far otherwise . It is an acknowl- edgement of the beauty of the universe , an ac- knowledgement the more sincere , because not formal , but indirect ; it is a task light ...
... pleasure be considered as a degradation of the Poet's art . It is far otherwise . It is an acknowl- edgement of the beauty of the universe , an ac- knowledgement the more sincere , because not formal , but indirect ; it is a task light ...
Stran 343
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , Why , professing these opin- ions , have I written in verse ? To this , in addi- tion to such answer as is included in what has been ...
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , Why , professing these opin- ions , have I written in verse ? To this , in addi- tion to such answer as is included in what has been ...
Stran 344
... pleasure - an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but continual and regular impulses of pleasurable surprise from the metrical arrange- ment . On the other hand ( what ...
... pleasure - an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but continual and regular impulses of pleasurable surprise from the metrical arrange- ment . On the other hand ( what ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing