Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 81
Stran 477
... poetic greatness . I said that a great poet receives his distinctive character of superiority from his application , under the conditions immutably fixed by the laws of poetic beauty and poetic truth , from his application , I say , to ...
... poetic greatness . I said that a great poet receives his distinctive character of superiority from his application , under the conditions immutably fixed by the laws of poetic beauty and poetic truth , from his application , I say , to ...
Stran 481
... poetic a nature , and had read the great poets too well , not to catch , as I have al- ready remarked , something of it occasionally . We find it not only in his Miltonic lines ; we find it in such a phrase as this , where the man- ner ...
... poetic a nature , and had read the great poets too well , not to catch , as I have al- ready remarked , something of it occasionally . We find it not only in his Miltonic lines ; we find it in such a phrase as this , where the man- ner ...
Stran 579
... poetic fictions . " When it is a matter of no consequence whether we assent or dissent , the theory that these disputable statements , so constantly pre- sented to us in poetry , are merely assumptions introduced for poetic purposes ...
... poetic fictions . " When it is a matter of no consequence whether we assent or dissent , the theory that these disputable statements , so constantly pre- sented to us in poetry , are merely assumptions introduced for poetic purposes ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing