Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 73
Stran 25
... possible according to the law of prob- ability or necessity . 2. The poet and the his- torian differ not by writing ... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is ...
... possible according to the law of prob- ability or necessity . 2. The poet and the his- torian differ not by writing ... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is ...
Stran 278
... possible points of view in criti- cism that are not somewhere espoused by some- one . The result , for modern critical theory , has been an increased relativism . There is less con- fidence in the possibility of any objective way of ...
... possible points of view in criti- cism that are not somewhere espoused by some- one . The result , for modern critical theory , has been an increased relativism . There is less con- fidence in the possibility of any objective way of ...
Stran 534
... possible . Furthermore , I believe that this alternative critical attitude is not merely a possible difference of personal bias , but that it is the inevitable attitude for our time . The statement and explication of a conviction about ...
... possible . Furthermore , I believe that this alternative critical attitude is not merely a possible difference of personal bias , but that it is the inevitable attitude for our time . The statement and explication of a conviction about ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing