Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 79
Stran 4
... principles , and forms . The universe is not a meaningless hurly - burly of atoms ; least of all is it something the qualities and characteristics of which are made up in our own minds . Rather , the universe is regarded as a meaningful ...
... principles , and forms . The universe is not a meaningless hurly - burly of atoms ; least of all is it something the qualities and characteristics of which are made up in our own minds . Rather , the universe is regarded as a meaningful ...
Stran 258
... principles , it will be necessary , that that art and those principles should be considered in their correspondence with the principles of the other arts which , like this , address themselves primarily and principally to the ...
... principles , it will be necessary , that that art and those principles should be considered in their correspondence with the principles of the other arts which , like this , address themselves primarily and principally to the ...
Stran 264
... principles in common with poetry and painting . Among those which may be reckoned as the first is that of affecting the imagination by means of association of ideas . Thus , for instance , as we have naturally a veneration for antiquity ...
... principles in common with poetry and painting . Among those which may be reckoned as the first is that of affecting the imagination by means of association of ideas . Thus , for instance , as we have naturally a veneration for antiquity ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing