Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 62
Stran 23
... qualities both of character and thought ; for it is by these that we qualify actions themselves , and these- thought and character - are the two natural causes from which actions spring , and on ac- tions again all success or failure ...
... qualities both of character and thought ; for it is by these that we qualify actions themselves , and these- thought and character - are the two natural causes from which actions spring , and on ac- tions again all success or failure ...
Stran 183
... qualities in art besides beauty : that is , the sublime , or what can arouse the most intensely felt emotion , and , secondly , the new or strange . Both qualities were to become guiding criteria in romantic criticism , and on similar ...
... qualities in art besides beauty : that is , the sublime , or what can arouse the most intensely felt emotion , and , secondly , the new or strange . Both qualities were to become guiding criteria in romantic criticism , and on similar ...
Stran 407
... qualities of things and all relations of the same to the thinking powers . The object of the play instinct , repre- sented in a general statement , may therefore bear the name of living form ; a term that serves to describe all ...
... qualities of things and all relations of the same to the thinking powers . The object of the play instinct , repre- sented in a general statement , may therefore bear the name of living form ; a term that serves to describe all ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing