Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 72
Stran 278
... result , for modern critical theory , has been an increased relativism . There is less con- fidence in the possibility of any objective way of criticizing and evaluating art . When such a confidence has been expressed , throughout the ...
... result , for modern critical theory , has been an increased relativism . There is less con- fidence in the possibility of any objective way of criticizing and evaluating art . When such a confidence has been expressed , throughout the ...
Stran 408
... result , of which the highest ideal must therefore be sought in the perfect union and equilibrium possible of the reality and of the form . But this equilibrium re- mains always an idea that reality can never completely reach . In ...
... result , of which the highest ideal must therefore be sought in the perfect union and equilibrium possible of the reality and of the form . But this equilibrium re- mains always an idea that reality can never completely reach . In ...
Stran 488
... results of the want show them- selves most glaringly , perhaps , in our architec- ture , but they show themselves , also , in all our art . Fit details strictly combined , in view of a large general result nobly conceived ; that is just ...
... results of the want show them- selves most glaringly , perhaps , in our architec- ture , but they show themselves , also , in all our art . Fit details strictly combined , in view of a large general result nobly conceived ; that is just ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing