Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 88
Stran 9
... rules " of art as part also of the infallible machinery of the universal order as existing , to quote an early eighteenth- century critic , among the " Laws of Nature , which always acts with Uniformity , and gives them a perpetuate ...
... rules " of art as part also of the infallible machinery of the universal order as existing , to quote an early eighteenth- century critic , among the " Laws of Nature , which always acts with Uniformity , and gives them a perpetuate ...
Stran 175
... Rules of old discover'd , not devis'd , Are Nature still , but Nature methodiz'd : 2 Nature , like liberty , is but restrain'd 90 100 By the same laws which first herself ordain'd . Hear how learn'd Greece her useful rules indites ...
... Rules of old discover'd , not devis'd , Are Nature still , but Nature methodiz'd : 2 Nature , like liberty , is but restrain'd 90 100 By the same laws which first herself ordain'd . Hear how learn'd Greece her useful rules indites ...
Stran 254
... rules " of art , Reynolds was far from advocating their mechanical use . In- deed , genius begins " where known vulgar and trite rules have no longer any place " where whatever knowledge those rules can give has been assimi- lated in ...
... rules " of art , Reynolds was far from advocating their mechanical use . In- deed , genius begins " where known vulgar and trite rules have no longer any place " where whatever knowledge those rules can give has been assimi- lated in ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing