Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 80
Stran 68
... seems to me ( sup- posing always that we Greeks are allowed to have an opinion upon the point ) that Cicero differs from Demosthenes in elevated passages . For the latter is characterised by sublimity which is for the most part rugged ...
... seems to me ( sup- posing always that we Greeks are allowed to have an opinion upon the point ) that Cicero differs from Demosthenes in elevated passages . For the latter is characterised by sublimity which is for the most part rugged ...
Stran 540
... seems to have taken Dante at his word . But what we experience as readers is never exactly what the poet experienced , nor would there be any point in its being , though certainly it has some relation to the poet's experience . What the ...
... seems to have taken Dante at his word . But what we experience as readers is never exactly what the poet experienced , nor would there be any point in its being , though certainly it has some relation to the poet's experience . What the ...
Stran 579
... seems to make a statement , or depend upon an assump- tion , that a reader may dissent from , without thereby giving proof of mental derangement . It is essential to recognise that the problem 2 is the same whether the possible ...
... seems to make a statement , or depend upon an assump- tion , that a reader may dissent from , without thereby giving proof of mental derangement . It is essential to recognise that the problem 2 is the same whether the possible ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing