Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 78
Stran 43
... speak con- cerning the actions of men ; but like yourself when speaking about Homer , they do not speak of them by any rules of art : they are simply inspired to utter that to which the Muse impels them , and that only ; and when ...
... speak con- cerning the actions of men ; but like yourself when speaking about Homer , they do not speak of them by any rules of art : they are simply inspired to utter that to which the Muse impels them , and that only ; and when ...
Stran 149
... speak of the play , to give us a character of the author ; and tell us frankly your opinion , whether you do not think all writers , both French and English , ought to give place to him . " " I fear , " replied Neander , " that in ...
... speak of the play , to give us a character of the author ; and tell us frankly your opinion , whether you do not think all writers , both French and English , ought to give place to him . " " I fear , " replied Neander , " that in ...
Stran 180
... speaking of Deism . ' Twere well might critics still this freedom take , But Appius 20 reddens at each word you speak , And stares , tremendous , with a threat'ning eye , Like some fierce tyrant in old tapestry . Fear most to tax an ...
... speaking of Deism . ' Twere well might critics still this freedom take , But Appius 20 reddens at each word you speak , And stares , tremendous , with a threat'ning eye , Like some fierce tyrant in old tapestry . Fear most to tax an ...
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INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing