Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Stran 294
... taste of his judges . He had not to deal with pretenders to taste , through vanity , affectation , and idle- ness . He had to appeal to the higher faculties of the soul ; to that deep and innate sensibility to truth and beauty , which ...
... taste of his judges . He had not to deal with pretenders to taste , through vanity , affectation , and idle- ness . He had to appeal to the higher faculties of the soul ; to that deep and innate sensibility to truth and beauty , which ...
Stran 367
... taste , that the reasoner must appeal for his very premises to facts of feeling and of inner sense , which all men do not possess , and which many , who do possess and even act upon them , yet have never reflectively adverted to , have ...
... taste , that the reasoner must appeal for his very premises to facts of feeling and of inner sense , which all men do not possess , and which many , who do possess and even act upon them , yet have never reflectively adverted to , have ...
Stran 372
... taste , in its metaphorical use , was first adopted by the Romans , and unknown to the less luxurious Greeks , who designated this faculty , sometimes by the word aiovnog , and sometimes by φιλοκαλία— “ ἀνδρῶν τῶν καθ ' ἡμᾶς φιλο- tõv ...
... taste , in its metaphorical use , was first adopted by the Romans , and unknown to the less luxurious Greeks , who designated this faculty , sometimes by the word aiovnog , and sometimes by φιλοκαλία— “ ἀνδρῶν τῶν καθ ' ἡμᾶς φιλο- tõv ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing