Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 77
Stran 3
... term , to the principles and values that characterized the art and thought of ancient Greece , and also to the later attitudes and de- velopments in Western culture that were most ob- viously and directly influenced by these prin ...
... term , to the principles and values that characterized the art and thought of ancient Greece , and also to the later attitudes and de- velopments in Western culture that were most ob- viously and directly influenced by these prin ...
Stran 33
... term , and then deny of that term one of its proper attributes ; as if we were to call the shield , not " the cup of Ares , " but " the wineless cup . " < An ornamental word . • 9. A newly - coined word is one which has never been even ...
... term , and then deny of that term one of its proper attributes ; as if we were to call the shield , not " the cup of Ares , " but " the wineless cup . " < An ornamental word . • 9. A newly - coined word is one which has never been even ...
Stran 276
... term may be used in at least two general ways . Applied specifically to the phi- losophy of Kant and his followers , transcen- dentalism either means that there is a reality be- yond our experience that we can never know , or else it ...
... term may be used in at least two general ways . Applied specifically to the phi- losophy of Kant and his followers , transcen- dentalism either means that there is a reality be- yond our experience that we can never know , or else it ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing