Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 82
Stran 8
... theory on the actual art and literature of western Europe was only grad- ual . There was , in fact , a marked split between the rather rigid critical or theoretical approach to art in the Renaissance and much of the great- est art and ...
... theory on the actual art and literature of western Europe was only grad- ual . There was , in fact , a marked split between the rather rigid critical or theoretical approach to art in the Renaissance and much of the great- est art and ...
Stran 274
... theory of the imagination - and one of the out- standing contributions of English critical theory -was that which stressed the sympathetic abil- ity of the imagination to identify itself with its object . The mind , as if by infection ...
... theory of the imagination - and one of the out- standing contributions of English critical theory -was that which stressed the sympathetic abil- ity of the imagination to identify itself with its object . The mind , as if by infection ...
Stran 426
... theory with regard to the proper subject of poetry , although such a theory would evidently be far the most useful in regard to the effect which poetry is to have upon life . In the preceding discourses I have endeavoured to supply this ...
... theory with regard to the proper subject of poetry , although such a theory would evidently be far the most useful in regard to the effect which poetry is to have upon life . In the preceding discourses I have endeavoured to supply this ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing