Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 80
Stran 23
... thought ; for it is by these that we qualify actions themselves , and these- thought and character - are the two natural causes from which actions spring , and on ac- tions again all success or failure depends . 6 . Hence , the Plot is ...
... thought ; for it is by these that we qualify actions themselves , and these- thought and character - are the two natural causes from which actions spring , and on ac- tions again all success or failure depends . 6 . Hence , the Plot is ...
Stran 218
... thought , but was never before so well expressed , " they certainly never attained , nor ever sought it ; for they en- deavoured to be singular in their thoughts , and were careless of their diction . But Pope's account of wit is ...
... thought , but was never before so well expressed , " they certainly never attained , nor ever sought it ; for they en- deavoured to be singular in their thoughts , and were careless of their diction . But Pope's account of wit is ...
Stran 531
... thought and feeling . The effect , at its best , is far less artificial than that of an ode by Gray . And as this fidelity induces variety of Whether Love Should Continue For- 4 Ode upon ever , ll . 129-40 . thought and feeling , so it ...
... thought and feeling . The effect , at its best , is far less artificial than that of an ode by Gray . And as this fidelity induces variety of Whether Love Should Continue For- 4 Ode upon ever , ll . 129-40 . thought and feeling , so it ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing