Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 84
Stran 46
... true . And now tell me , I conjure you , has not imi- tation been shown by us to be concerned with that which is thrice removed from the truth ? Certainly . True . And the same objects appear straight when looked at out of the water ...
... true . And now tell me , I conjure you , has not imi- tation been shown by us to be concerned with that which is thrice removed from the truth ? Certainly . True . And the same objects appear straight when looked at out of the water ...
Stran 65
... true also of variations and hyper- boles and the use of the plural number , and we shall show subsequently the dangers to which these seem severally to be exposed . It is neces- sary now to seek and to suggest means by which we may ...
... true also of variations and hyper- boles and the use of the plural number , and we shall show subsequently the dangers to which these seem severally to be exposed . It is neces- sary now to seek and to suggest means by which we may ...
Stran 426
... true and proper relation between poetry , and the past or the present , involves the investigation of the whole depth and essence of the art . In general , in our theories , with the exception of some very gen- eral , meaningless , and ...
... true and proper relation between poetry , and the past or the present , involves the investigation of the whole depth and essence of the art . In general , in our theories , with the exception of some very gen- eral , meaningless , and ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing