Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Stran 359
... universal form . What makes a plant a plant , for example , what distinguishes the plant from the soil , water , and sunlight of which it is composed - is the controlling form that funnels , unifies , and spins out these materials , so ...
... universal form . What makes a plant a plant , for example , what distinguishes the plant from the soil , water , and sunlight of which it is composed - is the controlling form that funnels , unifies , and spins out these materials , so ...
Stran 360
... universal forms or “ ideas ” have an absolute existence of their own and can be known by man through reason . That is partly why he toyed with as many different philoso- phers as he did , hoping that each , in turn , might suggest how ...
... universal forms or “ ideas ” have an absolute existence of their own and can be known by man through reason . That is partly why he toyed with as many different philoso- phers as he did , hoping that each , in turn , might suggest how ...
Stran 362
... universal . The distinction , as Coleridge says , is similar in a general way to that of the Platonic tradition , particularly common in the Renaissance , between " dis- cursive " reason , which generalizes from sense - impressions ...
... universal . The distinction , as Coleridge says , is similar in a general way to that of the Platonic tradition , particularly common in the Renaissance , between " dis- cursive " reason , which generalizes from sense - impressions ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing